While the particular storyline read by the fountain does predict the outcome of the movie, it also illustrates and shows how Belle is feeling. She feels trapped, like the only way she can escape her suffocating world is to read about others where there is adventure and romance. She may want the romance and the white knight on the horse, but she is not willing to compromise who she is inherently, for the gain of something she does not deem true and worthy. She wants to be a person, first and foremost, and have someone understand what she feels.
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Belle avoids the interpellation of her peers and society through staying true to herself, and, in the end, she gets her prince. She does not succumb to the prodding of Gaston, and even her father in the beginning, to marry and become a mainstream household wife. Instead, she uses her ability to love truly to find the man, or beast, with which she is meant to be. These children who praise a movie that is clearly derogatory, and gross degrades the ethical teachings they should be learning. The stereotype for children is that they should learn valuable, and critical lessons that will help them in life.
The movie also demeans authority figures such as, the government, the president, teachers, principles, parents etc.
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One of the best examples of this idea of carnivalesque is when Cartman defies his authority figures. While sitting in class Mr. Unwilling to cooperate, Cartman instead curses at the teacher and is sent to the office. In the office, he again curses at the principle.
Both authority figures are surprised by these acts of defiance; they do not know how to punish this behavior. Instead, Cartman is free to say and do what he pleases, to whomever. This scene depicts the role reversal of authority. It is Cartman who holds the power, and not the typical adult authority figure. They are repeatedly unsuccessful. This is the essence of carnivalesque , as it uses absurdity and humor to undermine what is normally revered.
South Park proves to be a progressive movie for a number of reasons.
As Stan approaches his town he is singing about how wonderful it is, and how people treat each other well. However, it is obvious, that the people are actually pushy, rude and hateful towards one another. It depicts the innocence of nature, and a song about love, happiness, and people getting along. As the song continues, it drastically changes from pleasant, to disturbing and silly. People are cursing one another, babies are being thrown through windows, and homeless men are drinking on the side of the road.
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Kyle, Stan, Cartman and Kenny all have a great amount of power within this movie, as they defy their parents and curse at authority figures. However, this movie also gives a great amount of power to a woman. His hilarious, uncommon voice greatly shows carnivalesque. Unlike a normal baby, Stewie not only can speak his mind, but he also can do it articulately, like an adult. In fact, he is smarter, more talkative and wiser than the stupid immature dad, Peter, in the show. Repeatedly, he disrupts his parents from making love in order to stop them from creating another baby.
In one scene Stewie walks into his room, hits a button on the wall, which collapses and shows a hidden spaceship behind it. Stewie succeeds and the parents never end up having a baby. Symbolically, the spaceship represents all the power Stewie has in his life. Such a complicated, high-tech machine for a baby to control signifies how he has the command to manipulate what he pleases. By inhibiting their chances of creating a baby, Stewie clearly portrays the carnivalesque idea of role reversal.
Parents are normally the ones that direct the life of their baby. However, Stewie diminishes this norm, which is an apparent depiction of carnivalesque ideas. In one scene Homer becomes jealous when he hears Flanders has given everyone a Christmas gift. He therefore begins to plan on how he will buy everyone a car to exceed Flanders act of generosity. Just remember the spirit of the season. Once again, the roles are being reversed. Lisa, a little girl, has to explain an extremely important concept to her father.
In addition, this episode depicts Homer to be as dumb as a cat or dog. All three Homer, the cat and the dog are wearing Christmas sweaters. As the dog and cat roll on the ground biting at theirs, so does Homer. Carnivalesque often portrays these types of role reversals, and undermining of authority.
Stereotypically, the male adult figure is one that carries the most knowledge, power and authority. However, Homer truly acts like a child. He is selfish, silly and immature. Instead this intelligent and powerful status is given to a seven or either year old girl. Carnivalesque is depicted, as a complete opposite role reversal is apparent.
The strong characters in these two shows are the children, Stewie and Lisa. These shows dramatically change what is normally viewed as traditional. Parents no longer teach their kids, rather the children teach them.
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They are merely reversed. These thoughts encourage us, as the audience, to rethink what we consider as normal. However, all three portray these concepts beautifully. From role reversal, to degrading authority, and to using humorous situations, voices, and bodily functions to mock the revered, these shows are carnivalesque. In addition, they break the stereotype that creates a conservative work. Instead they are progressive as they challenge us to rethink what should be, and uniquely see the ideas that contradict our norms. The fairy tale Snow-white and Rose-red , by the Grimm brothers, is an excellent example of a conservative, adult-centered text.
In this text, the agency is with the adults and the children are seen as nostalgic images of childhood.
Snow-white and Rose-red prove that children are good and follow the direction of adult figures even when the adult may not be present. The conservative nature of this text is overwhelming. The author is not challenging children to do anything; but rather teaching them that if they are obedient then they will be happy.
The old mother lived for many years peacefully with her children. The text does not wish for children to challenge the things that their mother tells them to do. The text reinforces a sense of good behavior and family closeness. In this family, the mother is the one with the authority and all of the agency. The girls are attentive to the instructions of their mother and follow them with haste. In an adult-centered text, children understand that adults know better than children so they must follow what adults say.
This shows the readers that children should listen to their mothers or other adult figures because, of course, they know more than a child. This adult-centered trait is highly visible throughout the text. Yet another image of the children, in this adult-centered text, is when they follow the directions of their mother even when she is not there.
The mother has engrained the children with the importance of being kind to everyone. They show kindness to the dwarf throughout the story even though he was not nice to them. You have torn my thin little coat all to shreds, useless, awkward hussies that you are! This does not deter the girls from their kind-heartedness and helping anyone in need.
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This is an excellent example of an adult-centered trait. Snow-white and Rose-red are perfect symbols of the nostalgic childhood images who end up being rewarded for their good nature and kind hearts.
The authors are showing that if a child is obedient and good then they will surely receive a reward in the end. There are many attributes of an adult-centered text that this story has which contributes to the conservative nature of the text. This text is extremely conservative and adult-centered in various ways.